Title:
How to sell out : the (hidden) cost of being a Black writer / Chad Sanders.
ISBN:
9781982190835
9781982190866
Personal Author:
Edition:
First Simon & Schuster hardcover edition.
Publication Information:
New York : Simon & Schuster, 2025.
©2025
Physical Description:
viii, 236 pages ; 24 cm
Contents:
The First Hit Changes You -- Get Out of Jail Free -- Buffoonery and Violence -- THE TOURNAMENT "Pilot" -- Expats and Allies -- Encounter with a Geniuth -- Blinding Lights -- "Welcome to the Neighborhood." -- Lost in Space -- Profound Whiteness -- Jay-Z and the Owners -- The Old Kanye -- Directed by Spike Lee -- "You're Not Rich." -- Jack and Jill and the Black Elite -- The Cost of Living -- A Man Named Lunsford Lane -- Black People and Isolation -- Thoughts from a Therapist -- I Quit.
Summary:
A sharply crafted exploration of race, money, creativity, and the pitfalls of writing while Black. In the summer of 2020, when the nation was erupting in protest over the murder of George Floyd, Chad Sanders was quietly celebrating for selfish reasons. Why? After years of struggling to get his footing as a writer, he’d finally landed a New York Times op-ed. He wrote an essay about the hollow messages of concern he’d been receiving from white friends and colleagues. It went viral, and in the years that followed, he built a solid career as a creator—of books, podcasts, TV shows, and films—by mining his most painful experiences of being Black in America. Black pain for white money. For Sanders, this was a lucrative trade. One he thought he could work for the rest of his life. But it didn’t take long for him to realize he, like so many other writers, was getting the short end of the stick. In How to Sell Out, Sanders draws on his personal experiences to offer a wry, darkly comic look at the invisible realities of making a living as a Black writer who writes about race. He relays stories of his time in the tech business, his experiences in TV writers’ rooms, his childhood participation in Jack and Jill, his family and relationships, and the struggles of sharing his racial trauma in exchange for cash. Combining meditations on historical and current events and the intersection of race and class with short creative essays, Sanders sculpts a freewheeling arc that is as funny as it is moving and thought-provoking.
Personal Subject:
OCLC Number:
on1438664780
Availability:
~0