Lights up: a preface -- Say after me: conversation with Wayne Koestenbaum -- Almost there: on Eve Sedgwick's The Weather in Proust -- Beyond all change: on Ben Lerner's 10:04 -- From importunate to meretricious, with love: conversation with Brian Blanchfield -- Changing the forms in dreams: on Alice Notley's The Descent of Alette -- A girl walks into a bar...: on Peggy Ahwesh and Keith Sanborn's The Deadman -- Porousness, perversity, pharmacopornographia: on Matthew Barney's OTTO trilogy -- Grind: on Prince -- If I didn't tell it: on Zackary Drucker and Rhys Ernst's Relationship -- Reenchantment of Carolee Schneemann -- By sociality, to sociality: on Fred Moten's Black and Blur -- A life, a face, a gaze: conversation with Moyra Davey -- Suicide Blonde at 25: on Darcey Steinke -- Like love: a tribute to Hilton Als -- O that wave: on Samantha Hunt's The Seas -- No excuses: the art of Sarah Lucas -- A continuity, imagined: conversation with Björk -- Understory: on Kara Walker's Event Horizon -- Eighteen theses on Rachel Harrison -- At Girò's: on rereading Natalia Ginzburg's "Winter in the Abruzzi" at the start of a pandemic -- Coming hungry to no wrong holes: the art of Nayland Blake -- Longest road: conversation with Jacqueline Rose -- This living hand, or, my Hervé Guibert -- I just want to know what else might be available: conversation with Simone White -- Dare of Tala Madani -- My brilliant friend: on Lhasa de Sela -- Call: in honor of Judith Butler -- Inoculation: on Dani and Sheilah ReStack's Feral Domestic trilogy -- For who knows how long: on Ari Marcopoulos's Zines -- And with trees: conversation with Eileen Myles.