Introduction: flying the flag for contemporary transatlantic television drama / Michele Hilmes, Roberta Pearson and Matt Hills -- Making Masterpiece matter: the transnational cultural work of America's longest-running drama program / Michele Hilmes -- Traveling Without a passport: "original" streaming content in the transatlantic distribution ecosystem / Karen Petruska and Faye Woods -- BBC America: cloning drama for a transnational network / Christine Becker -- Branding bridges: Sky Atlantic, "quality" imports and brand integration / Sam Ward -- Sherlock and Elementary: the cultural and temporal value of high-end and routine transatlantic television drama / Roberta Pearson -- Mainstream trends and masterpiece traditions: ITV's Downton Abbey as a hit heritage drama for Masterpiece in the United States / Eva N. Redvall -- Boundary collisions in HBO-BBC transnational coproduction: Rome and Parade's End / Robin Nelson -- Metacommentary and mythology: episodes as a performance of transatlantic TV / Jonathan Bignell -- Game of Thrones: investigating British acting / Simone Knox and Gary Cassidy -- Black Mirror as a Netflix original: program brand "overflow" and the multidiscursive forms of transatlantic TV fandom / Matt Hills -- Contextualizing "quality" US television programs for the United Kingdom: The Guardian's media blog and the role of critics / Paul Rixon -- Fans, fezzes and freebies: branding British television series at the San Diego Comic-Con / Lincoln Geraghty -- From imagined communities to contact zones: American monoculture in transatlantic fandoms / Lori Morimoto -- Crossing over the Atlantic: SuperWhoLock as transnational/transcultural fan text / Paul Booth.